Writing Faith Without Preaching
The surest way to lose a reader is to tell them what to believe. On writing characters who pray badly, doubt honestly, and arrive at grace the long way round.
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Occasional writing on faith, craft, and the books that carried me through a long, quiet season of waiting.
The surest way to lose a reader is to tell them what to believe. On writing characters who pray badly, doubt honestly, and arrive at grace the long way round.
Read the EssaySOMETIMES GOD GIVES YOU A VISION BEFORE HE GIVES YOU THE PERMISSION TO ANNOUNCE IT. NOT EVERYONE NEEDS TO KNOW WHAT GOD IS PREPARING YOU TO DO.
An inventory of the seven desks I have written at, and what each one asked of me. Including the one that was really a windowsill, and the one beside a hospital bed.
Researching Letters to the Faithful meant reading hundreds of letters that never arrived. What I learned about doubt, obedience, and the grammar of prayer.
Field notes from two months on a hillside farm — one road, four hundred people, and a season of rain the whole village was praying for.
First sentences get all the attention. The second sentence is where a reader decides whether to trust you — and where a novel either opens or closes.
Six books that carried me through a long, quiet season of waiting — and the one I abandoned twice before it finally opened.
That's the last of them for now — new essays appear every few weeks.